Avion en papier
Origami Instructions Free Online Plan also shows the results graphically of moving away from the 'purest' form of Origami in all the eight directions. In some cases I possess marked the art as 'open-ended', for example paper-cuts.
By this I mean that we will no longer have a shut system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, which is real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well established for Origami.
Kent du Pre has done such work
on Symmetric figures such as stars from which flowers can be folded away. Irregular figures have appeared occasionally, nevertheless the most extreme form occur in Paper Wonder with Rolf Harris's models. Silhouettes have zero restrictions in the Origami sense and are of course carefully related to paper trimming. In its simplest form cuts are made earlier to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive width. The most recent mention of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.
Uchiyama is reported as Avion En Papier Qui Vole Longtemps obtaining a patent in 1908 for 'KOKO'. style origami which appears to be the same in concept. Japanese books are packed with slitting to achieve ear or a tail or even legs. Perhaps one of the most recognized examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to provide enough points for the hip and legs. Rohm folded his Festival pony without cuts but the technique is then much more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid the Dessiner Un Avion En Papier complexities of a model achieved solely by folding.
In a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons argument their wings. Modelling That is now usual in animal folds to call for a final modeling particularly if foil has been used and one can be certain of the materials remaining in place. A contemporary example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3 DIMENSIONAL insists on any modelling following the folding The technique of wetting the paper seems to be Japanese in origin was demonstrated by Yoshizawa at a Convention in Birmingham. Another method of moist moulding using paste in the preparation is mentioned by Alice Gray the girl was shown it by Yoshizawa during a visit to Japan. The retracts tend to be smooth and we are approaching sculpture rather than Origami.
Bateau en papier
The particular associated arts are Weaving and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. Typically the sheets of paper are folded together but usually opened at the conclusion to show the multi-layers usually with different shades. Avion En Papier Simple In flower folding and possible doll-making the multi-layer technique is exploited for the own sake with little or no folding involved. Multi-Part Isao Honda (15) was probably the first to write techniques involving 2 separate sheets of paper each folded to represent some part of the creature and then brought with each other. The concept may well be traditional; if not in the manner Honda uses it - see for example the Pagoda in Paper Wonder. Recently kits have made an appearance for folding a dragon from a quantity of pieces of different sizes.
Comment faire un avion en papier
Inside the most extreme combinations of water and document we are, of course , in the world of fun which is evidently an open-ended art. DecoratingThe most basic step from a single color is one side female and one white or plain. A great package of modern Origami exploits this colour difference. A new delightful example is Joan Homewood's Robin. We can use the texture of our material which need not even be evade or paper. Neal Elias collects patterned foil and has shown models in 3 colours which count after deciding on the best pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs Faire Avion En Papier Pro in Japanese papers which are already printed with a design suited to a special model. The end of this process is evidently the decoration of the last model and so into the decorative art proper which is open-ended. Lengthening By simply stretching our square we obtain rectangles then bows and finally string.
Fleur en papier
The slicing out of holes etc. to indicate eyes and so forth is sometimes found in Japanese books and we are obviously dealing with a technique which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this Bateau De Papier Jean Humenry kind of paper-craft Mon-Kiri (which means crest-making). Typically the last step in the slitting or cutting is paper-cutting, some of the finest examples are most likely from China and obviously here we have an open-ended Talent. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its most basic form we may use stuff, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or card. Probably the most unusual form of 'display mechanics' that I am familiar with is by Toyoaki Kawai.